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Mark209


01
Dec
2004
SG History 101 - The Couriers


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One of the most unique, accomplished, and influential groups in southern gospel music history is the Couriers! Here is their story.

It all began on the campus of the Assemblies of God Central Bible Institute in Springfield, Missouri in 1953...around that time, the Blackwood Brothers Quartet had appeared at the local Shrine Mosque there, and their concert went over so well, that as many as eight student groups began singing on campus and in area churches. One such group was a quartet that called itself the Couriers, to signify their role as "messengers of the gospel message".

The group consisted of tenor Dave Snyder, lead Dick Malone, baritone and pianist Roger Kling, and bass Cliff King. This group stayed together for a year, and released at least one 78 RPM record. Come the 1954 school year, though, they had disbanded.

image In 1955, however, some incoming students formed a new group, and took the name "Couriers" for themselves. This group was comprised of tenor Lemuel Boyles, lead Eddie Mosher, baritone Don Baldwin, and bass Dave Kyllonen, with pianist Bob Casebeer. Over the next year or so, several pianists came and went from the group.

When the 1956 school year began, Mosher graduated, and Oklahoman Duane Nicholson replaced him as lead singer. A year later, Boyles graduated as well, and Nicholson moved to tenor. A gifted young man named Neil Enloe joined the group as lead singer. Eddie Reece was also brought into the group as pianist, and that is the group that many refer to today as the "original" Couriers Quartet, because that was the group that existed when the decision was made to make the group a full-time one.

As time went on, the young group began to become more active on weekends singing at concerts out of town. They felt what they believed to be the call of God to use their music as a ministry, and so by 1958, they decided to leave college and venture into the world of full-time, professional gospel singing.

imageKnowing they lacked the stage presence of the better known quartets, and being almost unknown in the South, then as now the center of the gospel singing world, how would the Couriers establish themselves? Using their church connections, they opted to relocate to western Pennsylvania, eventually settling on the state capitol, Harrisburg, as their base of operations. They managed to get an unpaid position singing on radio station WCMB there. Before long, they began to be invited to sing at churches in the area. The move to Harrisburg was a fortuitious one, for it was an area which few people had heard much of gospel quartet music. The program remained on the air for the next twelve years, eventually expanding to a ten-station "network" throughout Pennsylvania.

One advantage the Couriers realized they had being where they were was that there was virtually no competition in the gospel music marketplace. They didn't have to travel as far as southern groups did to hold concerts in the major population centers of the Northeast and Midwest. Also, with the group's Bible college background and strong devotion to church ministry, they were ready to respond with a combination of traditional quartet music and preaching and testimony with the explosive growth of conservative evangelical churches after World War II. The Couriers' approach was very effective in northern churches unfamiliar with the nuances of the flashier southern groups. The Couriers were talented performers who soon developed a unique style within the gospel quartet world, and thus despite not being well known in the South, by the early 1960s they were themselves sponsoring and promoting concerts not only in much of the Northeast, but in much of Canada as well(where they were quite warmly received). Thus it can be said that the Couriers were primarily responsible for bringing southern gospel music into the Northeast and Canada.

Group manager and baritone Don Baldwin had founded Hymntone Records to record the group, and their earliest recorded material was on Hymntone. The group continued to grow in ability and popularity into the 1960s. But as with many other gospel groups, personnel changes were a frequent occurrence. In 1960, pianist Eddie Reece left the Couriers to begin a youth ministry, eventually settling down in Israel. Neil Enloe began the first of many double duty stints, taking over as pianist until the arrival of Californian Jerry Evans by 1963. It was around that point in time that the group, which like many other groups, struggled financially

to the point that Baldwin announced that the group might have to fold. Immediately, they began singing songs of encouragement to themselves, and remembered that they had embarked upon this journey in response to the call from God...and they didn't fold, but pressed onward.

By 1964, Evans left the Couriers for an offer from another group, and he was replaced by one of the Couriers' most popular members. David Young, and a veteran of many successful gospel groups, including the Prophets Quartet. Young was the first genuine southerner to join the Couriers, and his addition not only expanded them musically, but broadened their following in the South. In addition, the Couriers attracted the attention of Warner Brothers Records, where they recorded two albums. One of the producers at Warner Brothers was particularly impressed by the look and sound of the Couriers, and told them if they would only change the word "Jesus" to "love" in their songs, he would make them more money in six months than they could ever dream of making in gospel music. Given their earlier financial struggles, this had to be tempting to the Couriers, but again, mindful of their purpose they pledged to devote themselves to in singing, they flatly turned down the offer. Those two albums, "Nothing...but the Gospel Truth", and "We've Gotta Sing", are still two of the most sought-after Couriers albums by collectors today.

In 1965, the Couriers expanded their fan base further by joining the cast of the syndicated "Gospel Singing Jubilee" television show, appearing as regulars with the Happy Goodmans, the Dixie Echoes, and the host Florida Boys, and joining them on the Canaan record label for a couple of albums in 1965 and 1966. While never becoming hugely popular in the South, the Couriers were able to expand their fan base there as a result.

Again, by 1966, the Couriers once again were making records for their own label, this time it was Paradise Records. They also changed pianists again, with David Young returning to Georgia, where he continues to live today, performing with his family group and running a recording studio in Cleveland, Georgia. Young has also appeared at the annual Grand Old Gospel Reunion in Greenville, SC.

An even bigger change, though, came just before Young's departure. At that time, longtime manager and baritone Don Baldwin opted to retire from the road. He went into the recording business in Florida, where he lives today in retirement, having battled health problems in recent years, but still alive, and still keeping in touch not only with the group members, but many others in gospel music he worked with through the years. He was replaced in the group by Neil Enloe's brother, Phil, who came to the Couriers from the Jr. Blackwood Brothers. Young was replaced on piano briefly by Neil Enloe once more, but soon the Couriers hired Eddie Hawks as accompanist. Hawks stayed until 1967, when he too left for Florida, forming a group there called the Embers, who sang for a few years. Today Hawks is a minister of music in a church in Lakeland, FL.

Neil Enloe wrote more than 60 songs, and he is recognized today as one of gospel music's preeminent writers. Among his many successful songs are "The Joy of Knowing Jesus" (which became a quartet standard as the 70s dawned), "He's More Than Just A Swear Word", "From A Star To Stripes", and perhaps his best known song of all, "Statue of Liberty", which not only was probably the Couriers' most famous song, but the song that propelled the Cathedral Quartet to prominence in the mid 70s.

In 1968, perhaps the biggest change of all came to the Couriers. Phil Enloe stepped down, and he was not replaced. Instead, bass singer Dave Kyllonen moved up to bass/baritone, and the Couriers became a trio, and remain one to this day. Because of Dave's vocal range, the resulting trio was about as full-sounding as any there was, and the Couriers were about to embark on their most popular phase yet.

One important aspect to note is that the Couriers' performances became increasingly evanglical during this period. Their concerts started to conclude with a sermon from Kyllonen (an ordained minister), and an altar call. Their musical sound also started to become more "Inspirational" than merely southern gospel. They were able to maintain their southern gospel fan base, though, and one thing they began doing at that time that has become the vogue for many southern gospel groups is using soundtracks to accompany them vocally in concerts, since their music on record was becoming more elaborately orchestrated. The Couriers were probably the first major group in gospel music to use soundtrack accompaniment routinely. On older songs or other songs that just needed piano, Enloe continued to play it on stage, but that aspect was becoming less and less prevalent in Couriers' concerts.

The Couriers made many of their most popular records in the 70s on the Tempo label, winning three Dove awards along the way...one for Song of the Year for "Statue of Liberty", another for Inspirational Album of the Year with their well-known concert album "Ovation", and one more Associate Award for contributions to gospel music.

imageIn 1980, Dave Kyllonen left the group to become a missionary in the Caribbean for a couple of years, then becoming a pastor of a church in Iowa, before forming a family ministry by 1990. Phil Enloe returned to the Couriers to take Kyllonen's place, and the group continued on through the 80s and 90s. About 1997 or so, the older members realized that if the Couriers' unique musical ministry was to continue, it would have to be with a new generation of Couriers. Gradually over the next three years Scot Womble, Larry More, and Kristian Walker were brought into the group, and at the end of 2000, Nicholson and the Enloes announced their retirement, turning the name over to the younger trio, who have since carried on the Couriers ministry and tradition since then...joined in 2002 by Tim Beitzel, who replaced Walker when the latter decided to pursue his own ministry interests.

So the Couriers remain active today...with lead Womble, tenor More, and bass/baritone Beitzel continuing the Couriers unique musical ministry.

But the story doesn't end quite there...in 2001, Kyllonen got together again with Nicholson and Enloe for a special "original Couriers" reunion concert, and it was such a success, the three decided to reunite for select concerts under the name Dave, Duane, and Neil...they remain a force in gospel music, having recorded a recent CD project, "One Nation Over God", a collection of Enloe songs and other new material as well.

image So 51 years, 58 albums, three Doves, and 4,000,000 + road miles later, the Couriers young and old, remain "messengers of the heavenly message", and remain an important, influential part of the larger history of southern gospel music.

I want to recongnize and thank Duane Nicholson, his daughter, Meredith Schoppe, and Neil Enloe for supplying information and cooperation in the preparation of this article.

Reader Comments

First of all, thank you, Meredith, for bringing those aspects of the Couriers' unique ministerial calling...one of my purposes in writing about the Couriers was not only their musical impact(which, as I hope I showed, was considerable)but that with all the talk of music "ministries", the Couriers were trailblazers in that area as well.

The Couriers not only talked the talk, they walked the walk, and perhaps no other musical organization combined "cutting edge" music with practical ministry. This makes them an integral part of the broader history of southern gospel music...their impact is still being felt today not only through them, but their musical and ministerial descendants.

And yes, Joe, David Young did play with the Prophets during his career, I'm not certain of the dates, but he WAS there at one time!


Commented by Inquirer1 On 12/02/2004
Just one correction to a great article Central Bible College is in Springfield Missiouri not Springfield Ill. But you know those of us in Missiouri dont like to be confused with the Blue state of Ill. ( Just kidding) Great article.


Commented by .(JavaScript must be enabled to view this email address) On 12/02/2004
I did not even see that mistake and I went to Evangel College not that far away from CBC.

That's alright, most people know where CBS is.


Commented by .(JavaScript must be enabled to view this email address) On 12/02/2004
Thanks for catching that mistake on the cities. I missed it as well during my proof. Guess that was because I grew up in Illinois and just didn't register the mistake in state names though I an very aware of the headquarters of the Assembly of God being in Springfield, MO. smile


Commented by .(JavaScript must be enabled to view this email address) On 12/02/2004
Oops...another mistake....that's what I get for typing it at 2:30 in the morning!:-)

Next time, I'll make sure I have my Rand McNally Road Atlas at my side when I write articles...the thing is, I knew the Assemblies of God headquarters are in Springfield, MO as well! And I still typed IL!

The mistake was on none of my sources...it was all mine!:-(

A thousand pardons! Thanks for helping to keep me on my toes!:-)


Commented by .(JavaScript must be enabled to view this email address) On 12/02/2004
John, great article. I grew up on the music of The Couriers and never imagined I'd BE one! I have the greatest respect and admiration for the guys who established this ministry and I'm proud to call them my friends. Larry, Scot and I are priveleged to be called "Couriers" and realize those are some pretty big shoes to fill. By the way,if any of you have a chance to go see "Dave, Duane and Neil" do it. They still do an awesome job.


Commented by Tim Beitzel On 12/03/2004
John: Thanks for the article about our group, The Couriers. I read the part about Eddie Hawks coming to us from The Junior Blackwoods and the error concerning Phil Enloe. I also knew that an unimpeachable source would set the record straight if they saw the error! Ha. I wonder who that was?

I must admit that I shed a few tears when my daugher responded to your article and articulated to your readers her feelngs concerning The Couriers. Of all, the Courier kids, I think Meredith was the most broken up when we quit the first time in 1980. She, also, by the way, was the only one of 7 girls of The Couriers that every sang with us!! She did a fine job singing with Neil and I for a short time.

We are proud of our wives and our children for standing with us during the lean times and the good time. I have always said that if I travled the world to 80 nations and logged over 4 million miles and sing in over 4,000 churches, and won Dove Awards it would all be in vain if my children were not serving the Lord. I can truly say it has been a good journey and it is not over yet.

Thanks again John for letting us be part of your writings.

Duane Nicholson (Always a Courier)


Commented by .(JavaScript must be enabled to view this email address) On 12/03/2004
As someone who continues to be inspired by the anointed music of these men - The Couriers - I am writing to say thank you for writing such a great article!

Like many others, I grew up listening to some of the originals and being inspired to love gospel music by hearing them in person on their many visits to Ontario, Canada; of which my fondest memories are of Neil Enloe, Duane Nicholson, Dave Kyllonen and Phil Enloe. We have now come to love and appreciate the ministry of Larry More, Tim Beitzel and Scot Womble - the wonderfully talented Couriers of today.

I agree with another commentator who wrote that, "The Couriers not only talked the talk, they walked the walk", and I'll add that I believe they still do.

My brother and I recently spent a weekend with Dave, Duane and Neil during on an Ontario fall tour and cherish their friendship. We are also hosting a New Year's Eve concert with the (new) Couriers here in Oshawa, Ontario. Anyone reading this who has not attended a Couriers' concert or purchased their music should do so and expect to be blessed!

Perhaps another reader was present in Lansdale, PA, in October for the Couriers 50th Reunion and could comment futher on this? I was there and it was an incredible event to see and hear all former and present members of the Couriers on the same platform. Anyone wishing some photos could write to me. Their love for the Lord Jesus and their genuine spirit is evident in their lives and in their music.

And yes, love for gospel music is alive and well in Canada!

Keep up the good work on this website!


Commented by .(JavaScript must be enabled to view this email address) On 12/03/2004
Thank you all so much for your comments(and criticisms!)...it was a labor of love to write this article!

And Duane, I know you know who the "unimpeachable source" is, and I appreciated his comments on the article as well!

My goals were(1)to help readers previously unaware(or dimly aware at best)of the legacy of the Couriers, to learn about them, and recognize what an important part they played in the history of gospel music, and (2)to please the current and former Couriers with a detailed, faithful account of their work and ministry!

Also, Duane, know that I could not have begun to have written this without your help, and Meredith's! For that, I wish to thank you both, as well as Neil, right here for all to see!

And Steve, that "commentator" you cited was me under my "stage name"...and I always knew that to be true of the Couriers, and now know it even more firsthand!


Commented by .(JavaScript must be enabled to view this email address) On 12/03/2004
Great article John. Just thought I'd let some folks know that you can get some of the older Records of the Couriers on CD if you go to Ebay.
My favorite Couriers was the quartet. Of course, they were a quartet again at the last when Phil Enloe was singing with them. They sounded great with either Dave or Phil on that Bass part.


Commented by .(JavaScript must be enabled to view this email address) On 12/04/2004
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SG History 101 - The Couriers
Written: 12/01/2004
Author: .(JavaScript must be enabled to view this email address)
Category: SG History 101
Comments: 69
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