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Most people aren't really familiar with the production process. Explain how that works for you and how it may differ from other producers.

While producers are as different and unique as the next one, I believe the basics hold true for all of us. Once the recording budget and the delivery date of the master recordings has been established (by either the record company or the independent artist), it is incumbent for all parties involved to secure and agree on what are the 10 to 12 songs that will be recorded. I cannot stress enough the importance of the songs selected. The songs are the script (if you will) of the artist’s next 12 to 18 months of musical ministry focus. Once the best songs have been found and agreed upon, I cast the musicians for the basic rhythm (piano/keyboards, drums, bass guitar, electric guitar, acoustic guitar, etc.) tracking sessions. Much like a film director casts his next picture with the appropriate actors, I seek (in conjunction with the artist) the appropriate musicians for the songs while serving the musical focus of the artist. After the basic rhythm tracks have been recorded, I like to wait at least a couple of weeks before the lead vocals are recorded as this gives the artist enough time to be learning, experimenting and practicing how they would like to sing the lead vocals. Of course, all that changes when the actual lead vocals are being recorded as I’ve got my hand in making recommendations and suggestions! Once the lead vocals are complete, then for me, it’s on to the backing vocals; whether it is group harmony vocals or actual backing vocal parts. Next would be any additional instrumental overdubs; percussion, horns, strings, any instrumental solos not recorded during the basic rhythm tracks, extra guitar or keyboard parts, etc. Once the artist and I (and record company if the artist is signed to a label) agree that everyone is satisfied that all elements have been recorded; it’s mixing time. Once I have signed off on the mixes and the mixes are approved by the artist (and record company), the entire project is mastered and then ready for duplication.

How much input does the artist get during the production of a record when working with you?

Not only is the artist’s input welcomed; it’s invaluable. It’s their record; not mine. Nobody knows the artist’s audience better than the artist. For any producer to not have and to not allow the artist’s input is foolish, at best. I’ve always believed that making records is a collaborative process with the artist. Years ago when I was just starting out, I was in a debate with an artist I was producing over some production detail. The artist wanted it their way and I wanted it my way. The artist pulled me aside and said, “Remember… this is my record; my career; my songs that I will be singing for the next 12 to 18 months. I will live with this recording and sing these songs for a long time; and when you are done with me on this record, you will be on to your next project.” Some great counsel I needed to hear then and to this day, still abide by. My role is to serve the artist.

You have worked with artists in other genres of music as well as Southern Gospel. Does the process change when working with other companies, artists, and musicians?

For the most part, the process stays the same for me regardless of artist, genre, company and musicians. The exception would be live recordings, which I have produced my fair share of. The difference in live recording for me is the concentrated amount of rehearsal needed with the artist and musicians.

What is the most rewarding aspect of being a producer?

While the Grammy and Dove Awards I’ve been awarded are wonderful recognitions from my peers, the foremost rewarding aspect of being a producer would be seeing the artist, I have worked with, in concert… and to see the songs we labored over in the sterile environment of a studio, suddenly come to life and connect with the audience. To experience, firsthand, people’s lives changed for the better, is the ultimate reward for me. Everything else pales in comparison.

What other producers have influenced your work?
George Martin (The Beatles), Jeff Lynne (ELO, Tom Petty, The Traveling Wilburys), Phil Ramone (Billy Joel, Frank Sinatra, Chicago), Phil Johnson (The Rambos, Dallas Holm, Andrus, Blackwood & Co.)

What artists or individuals have you enjoyed working with the most?

The correct answer is ALL of them! Seriously, it has been honoring to work with Shirley Caesar the past 20 years; she is a living legend and a national treasure! Karen Peck & New River (impeccable vocal prowess), The Crabb Family (raw, gut wrenching vocalists and the nicest people I’ve met), The Browns (the hardest working people I know), Austins Bridge, Sandi Patty… I could go on all day. The highlight of my career, though, was producing 4 songs in the Paramount Pictures’ film, The Fighting Temptations, starring Cuba Gooding, Jr. and Beyonce’. I had the pleasure of producing Ann Nesby (formerly of The Sounds of Blackness), Shirley Caesar and The O’Jays!

What things have you learned spiritually from sitting in the producer's chair?

Humility… I’ve learned the hard way that I don’t have all the answers; my ideas are not always the best. Yet, I’m always humbled when an artist wants to work with me. The producer that doesn’t write songs, that doesn’t orchestrate, that doesn’t play an instrument proficient enough to be a studio musician. There are far more talented producers than me; so for someone to entrust their recording with me at the helm, is overwhelming and humbling.

What advice can you give to people who wish to work in the record business?

My advice to someone who wants to work in the record business is… don’t do it! Go into healthcare, become a pharmacist, get your law degree… My twenty-year-old daughter, Susanne, is majoring in music business and my wife and I have tried and tried to talk her out of it. It is a very tough business right now. But, the passion that she has (and has had for years) to work in the music business is an insatiable call that she cannot let go of. My advice is to make sure that your desire is a call with a passion that will not be quelled by any circumstance that life may throw your way.

Any additional thoughts you'd like to share?

I love what I do… I love serving artists in helping them take musical snapshots of their life at that particular moment in time. I am so thankful to God for giving me the gifts He has entrusted me with. It’s not about me… but Him. All glory, honor and power to the One who saved me from myself!

Vist Bubba at http://www.bubbasmith.biz

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