Mark209


Members: Sign In/Sign Up Members: Sign In Not a Member?  Sign up!
Community Newsletter 

Monthly Articles

Jim's Perspective

image

You Can’t Do That!

I wonder why it is the average age of people who attend Southern Gospel concerts is around 57 ½? If you take out the group members that are there singing, that average age jumps up to somewhere around 65 or thereabouts. What’s going to happen when all of these faithful supporters of the Southern Gospel industry pass off the scene? I’m so glad you asked.

I think we are seeing some of this already. Crowds are dwindling because many of these faithful seniors are either at a point in their lives where they can no longer travel and attend, or have passed on. But the real problem here is the fact that there is not a younger generation of Southern Gospel Music lovers out there ready to jump in and take their place. A few groups out there have realized this and are trying some new and innovative things to try and draw in a younger crowd. Signature Sound with their spiky hair, choreography, and “weird” looking ties; The Crabb Family with their trendy dress; The Gaither Vocal Band wearing jeans on stage and having long hair; and The Isaacs with their country music and allowing Ben to wear a cap on stage while playing and singing gospel music. What ever is this industry coming to? The next thing you know my favorite quartet is going to stop wearing their matching bright red suits and white shoes (or is it matching white suits and bright red shoes? I can never remember).

The number of negative comments and complaints over these things is just amazing. We wonder why Southern Gospel is not at the height it was in it’s heyday but we want to continue to run things the way they were run 30 or 40 years ago. It is this kind of small thinking that is pushing people away from Southern Gospel. If all people want to see is 4 guys standing in front of microphones and singing to tracks with no emotion, style, or stage presence, then that is who they need to go see. There are plenty of groups out there that will continue down that road until they are forced to change and do something else to survive. Signature Sound, The Crabb Family, The Gaither Vocal Band and The Isaacs all realize that in order for this industry to survive, a younger audience has to be reached and drawn in to our music and I, for one, applaud and support their efforts.

All of these “you can’t do that” or “we’ve never done it like that before” kinds of comments are exactly why groups are disbanding or downsizing and why so many churches are dying. People still want to run things the way they were in the 50's and wonder why people won't come. To reach new people, we MUST be ready and willing to change our methods. Not our MESSAGE ... just our METHODS.

About This Article - You Can’t Do That!

Jim Hollis's avatar Author: Jim Hollis | Author's Website: http://www.gracebaptisturbana.com
Written: 09/01/2005 | Category: Monthly ArticlesJim's Perspective Comments: 21
| RSS Feed | (What's an RSS feed?) |


Ads Sponsored by Southern Spin

Reader Comments

  1.    .(JavaScript must be enabled to view this email address) ~ 09/02/2005

    You are so right, my brother. Southern Gospel needs a NEW, younger, image. I applaud the groups mentioned as well for being brave enough to realize what they must do and for having the fortitude to forge ahead, no matter what people say about them. Perhaps the Southern Gospel Music Guild should hire some good consultants to help re-image the industry from the top down --- artists, magazines, radio imaging, etc. There's a lot of talk about part of the problem is there are so many groups out there who aren't very talented and doing it the way it's always been done. Not to worry. In the years ahead, only the groups willing to change their methods, radio stations who aren't afraid to sound more contemporary in their approach, record companies who get a clue will have audiences amd sales in the coming years. My prediction and feelings only, but it seems a lot of people share these thoughts.

  2.    John Snodgrass ~ 09/02/2005

    I know that some changes have to be made, but what changes? If you change the "type" of song very much, it is not southern Gospel. That is the one constant that has pretty much remained. "Southern Gospel" has varied styles within it, but, when someone asks you to name a SG song, it will more likely be "The Lighthouse" or "This Old House" than it is maybe "Through the Fire" or "He Came Down to my Level" (both great songs, BTW).

    From the 50's through the 70's and 80's, even till now, we know that SG stands alone as a "style" of singing, so what do you see happening to it? What do you think will change?

    Will it become more "Rock and Roll" or "Country"? Will it sound more and more like other types of music, is the question. From our roots with the songbook selling quartets until now, SG music has been a "different" sound and style. That uniqueness is the refreshing part as far as I am concerned.

    I like ALL types of Gospel Music, from Bluegrass to Contemporary, but MY collection is mainly quartets and trios singing SG. I like it, and I buy it. What I don't like is losing the heritage. If the new styles of music keep the message clear about Jesus, Heaven, and living for Christ, I will continue to buy, but only then.

  3.    .(JavaScript must be enabled to view this email address) ~ 09/02/2005

    It is always funny to me to hear that SG is dying out because our audience is dying out. I'm sorry, but I don't see that as being the main reason for declining attendance. Crowds have been on the decline for many years now, and there is a simple reason. There are too many entertainment choices out there now! Back in the "good ole days" there really wasn't much to do for entertainment in a large part of the country except go to a singing. The groups back then realized this and capitalized on it. These days, it is another kettle of fish entirely!

    The entertainment industry is driven by quality (for the most part) and professional SG is entertainment. In order to draw the crowds they desire, they have to lure them in. Quality is only one of the requirements, though. They need to promote!!! How many times have we found out after the fact that group XYZ was just down the road the other day? If we fans, who know an awful lot more about SG artists schedules than the average Joe, don't know about a concert nearby, how in the world is anyone else going to find out about it? Hmm?

  4.    Keith Prater ~ 09/02/2005

    If you ask me, though, SG does need to change the message, or at least the depth of the message. The one thing that keeps me from supporting Southern Gospel more is that the lyrics are often too shallow. While CCM artists are often signing about the ills of the world -- which I don't really want to listen to, either -- SG generally just touches the basics of the Gospel. After being a Christian for 25 years, I need to hear something more than the basics. Even the Apostle Paul said that we need to move on past the basics to the more meatier things of the kingdom of God.

    If we live in the Spirit, let us also walk in the Spirit

    - Galatians 5:25

    Visit My Website

  5.    .(JavaScript must be enabled to view this email address) ~ 09/02/2005

    Keith,

    Do you mean you want to hear songs other than those about going home and heaven? Come on! grin

    I've had many people tell me that the trouble with SG songs is the above. I don't think they listen to ALL the music, but certainly the perception is there.

  6.    Keith Prater ~ 09/03/2005

    Yes! Please! Give me some meat to chew on! I love the Southern Gospel culture. I would love to buy some Southern Gospel music. I can overlook the bland music if you give me something deep to think about. Please! Someone! Sing about Romans 8, or 1 Corinthians 2, or 2 Corinthians 3 and 5, or Colossians 3, or anything in the book of Ephesians. Please! I'm hungry for more!... And I'm sure there are lots of people out there who would say the same thing.

    If we live in the Spirit, let us also walk in the Spirit

    - Galatians 5:25

    Visit My Website

  7.    .(JavaScript must be enabled to view this email address) ~ 09/03/2005

    Thanks, Keith. You've given me some good songwriting ideas. Actually, I was recently re-reading the entire book of Romans, and I thought,"I should write an entire CD worth of songs based on Romans." Maybe a double CD. Concept album, anybody?

  8.    .(JavaScript must be enabled to view this email address) ~ 09/05/2005

    Could it be because there is no sg radio stations
    across the country that people can hear like there is for contempory music? I think our industry is missing the boat. If people can't hear it they can't support it. If these stations were there across the country evry group would be busy and we would have younger people coming. I'm talking about radio not computer radio.

  9.    Jamie Rebekkah Carter ~ 09/06/2005

    I agree with Dan Keil, we need more SGM radio stations..(excluding internet radio) Where I live I can sometimes get one SGM radio station that plays more preaching more than music. We can't buy what we don't hear.

    As a 28 year old, I love SGM. I like the old stuff as well as the new stuff. However, the new progressive sound catches my ear a lot faster than the traditional sound. I personally think SOuthern Gospel Music is large enough to hold both traditional music and progressive music. I think if we would quit fighting against each other, we could see SGM boom!

  10.    .(JavaScript must be enabled to view this email address) ~ 09/07/2005

    Why is it that when change is suggested, that the very first thought is "they're wanting to change our music"? I never hear anyone wanting to change the music or the message. Updating the instrumentation, updating the appearance, and updating the delivery would make a huge difference in SGs popularity.
    Of course the first update has got to be RADIO. There is so much quality music out there and we need to be playing it.

  11.    .(JavaScript must be enabled to view this email address) ~ 09/08/2005

    I agree with many of the comments made here. I am in the over 50 crowd, but I was introduced to this music as a small child. When I hear people say there in nothing fit to watch on t.v. or at the movies, do they ever consider taking the children to a SGM concert/event. This is a very inexpensive family night out. I think part of the problem with attendance in some areas is over saturation. I often have to make very difficult choices to decide who I will see. Recently, I had a choice of Brian Free and Assurance with the Anchormen or The Perry's - all within 30 minutes or so of my home. Later this year, SSQ will be 15 minutes from me and First Love will be 5 minutes from me on the same night. In June, Gold City had their homecoming and the Diplomats had their homecoming on the same weekend - these venues were about 1 hour apart. This area supports both of these groups very well. People at each of these venues were wishing there was a way to do both. These scheduling conflicts are not rare - they are constant. It is great to live in an area with lots of SGM, but unfortunately, there are not enough fans to support all these groups. I am not blaming anyone for these scheduling conflicts, just trying to point out that attendance is often down because there are too many things happening at the same time.
    But, if there were more fans, we could support all of these events. I really do encourage parents to expose their children to this music - the younger, the better.

  12.    Kevin Womble ~ 09/15/2005

    Here's a change that somebody should suggest to the people who run the NQC. Why in the world do they have the "biggest event" of the year in September? No one with kids can attend this event! I know plenty of younger parents who would like to attend, me included, but I can't pull my kids out of school for three days to a week. Why not have NQC in the summer and make it possible for a "younger" audience to spend some vacation time and attend. I don't get it.

  13.    .(JavaScript must be enabled to view this email address) ~ 09/19/2005

    As far as the way groups dress, present themselves on stage, and the style of music that they play, if it looks like the world, sounds like the world, and smells like the world, it must be of the world. Sing about the Grace of Jesus, and you will attract all the audience that you NEED to attract.

  14.    .(JavaScript must be enabled to view this email address) ~ 09/19/2005

    first of all if its all about sounding
    and looking contemperarary why where
    the inspirations,perrys and greater vision
    the big winners at nqc?

    its becuase people like to hear something real and authentic in the 1990's country nmusic wanted to sell more music so they tried to look and sound pop ,.then a movie soundtrack came out
    called oh brother where art thou which sounded
    as hilbilly and old time gospel and ciountry as you could get ,.it became one of the most sold and talked about cd of all time and is still talked about today all it was doing was being real and authentic ,...in the last nine years i
    have been involved music in many aspects such as a fan award nominated dj ,singer songwriter ,columist and small time concert promoter and what i find ias people like siomething reaL ,.,a few years ago A WRITER FOR THE SECULAR billboard magazine covered the nqc
    i dont have her name in front of me but in her article she didnt notice who had the fanciest clothes or hairstyles,she did talk about who had
    the best jokes or choreography ,.she went on and on about the mckameys singing even the valley
    and how the song and the singers had emotion and
    sincerity and the writer said there was something there she could feel,something she had never felt at the countless contemporary christian music events she covered ,. sogospel fans that was the sincere worship of god coming from a conservative dressing group who belives in serving god ,and belives in the message,.thats what the billboard writer saw and felt that first trip to the nqc
    in my years at radio i found that many big churches push contemporatry on thier youth becuse thats what all the seminarys and denominational assocaites tell there churches is the only way to reach the youth and i find many of these children and teenagers actually prefer bluegrass and sogospel over scontemporary but youtrh leaders
    would rather spend the churches money on a contemporray ticket then take them to a free church southern gospel concert somewhere

    people let us never lose the message in or music ,.,let us never lose what isn real and reaches ,..worldy haircuts and coreography doesnt do that ....the music in the message does
    james metcalf wjfj radio columbus nc

  15.    Steve Porter ~ 09/20/2005

    Sometimes a style of music become archaic. I don't know why. Styles come and go. I doubt spiked hair, cowboy boots, or faded jeans will have much effect on the natural order of things.

    The striking thing about Southern Gospel is the tremendous creativity and the level of singers and musicians. Recordings are much better now than they were. And there seems to be a constant influx of new talent. Contrast this with the apparent shrinkage of fans, and you get a real head scratcher. You'd think demand would have some effect on the supply. More and more artist for fewer and fewer fans? Something doesn't seem right.

    At any rate, if Southern Gospel is destined to become a genre of yesterday, like 40's big band or bossa nova, it won't be due to a lack of talent.

  16.    .(JavaScript must be enabled to view this email address) ~ 09/22/2005

    I agree with Jim Hollis about this situation. I live in Louisville and attended my first NQC a few years ago when The Crabb Family first came on the scene. As a former professional musician, I instantly connected to SG because their sound (along with Gaither Vocal Group). Why? Because as a 30 something Male who was a Babe in Christ, their brand of SG was familiar yet fresh.

    Now, since then, after having become more familiar with the SG groups of old, I understand the tradition of SG and I understand heritage. But it's now become a "been there, seen that, felt that" anticipation of knowing what to expect. Quite honestly, sitting in Freedom Hall for 6 hours watching group after group present themselves exactly the same way every 15 minutes or so, is not something that is very appealling at all. How can we expect 20 yr olds to get excited about that? Don't get me wrong, the talent is phenominal. But, like Jim said, the presentation is becoming a bit stale.

    Okay, so, now what? SG must evolve. Plain and simple. The Crabb Family arguably has managed to package themselves differently than everyone else. They now have a full road band - which appeals to me given my background - and that's a fresh change from being focused on 4 people singing to sound tracks. I'm surprised Bill Gaither hasn't put a full band or orchestra together for the road shows and eliminated sound tracks (yes, I know he has some musicians on stage - but there's still some orchestral sound tracks playing along too)! A live band, in my humble opinion, would be a refreshing change in SG for all the groups and possibly be the start of attracting younger folks to rejuvinate the SG scene.

    I'm sure someone will chime in here about operating expenses, bus costs, blah blah blah....but, I'm sure the same thing crossed the Crabb's mind too. We can do all things through Christ though! Thanks for the opportunity to voice my opinion.

  17.    sgsoprano ~ 09/22/2005

    Great post. My group is technically "progressive southern gospel," but we do it all...contemporary, traditional, a capella...

    We've got to do something, just like our churches are doing, to reach ALL AGE GROUPS!!! Those who want to stay traditional...stay that way. Those who want to do a little of all...go for it!

    It's about the gospel...smile

  18.    .(JavaScript must be enabled to view this email address) ~ 09/27/2005

    Yes it is a real shame that SG seems to take a back seat. I got a letter from a pastor that told me,we don't do that kind of music here.So he wouldn't book me at his church. It seemed he was speaking for his whole church, which is a real shame because I have found the older folks really do love it

  19.    .(JavaScript must be enabled to view this email address) ~ 09/29/2005

    My father was in a gospel quartet in Winchester, TN. Having been raised listening to it cultivated my love for it. It's much the same as being raised on the great hymns of the church. Those too are in danger of being lost to the next generation, because so many churches have "outgrown" them. It all comes down to exposure. We need to be sure the music is being heard, and that is the responsibility of the home!!!

  20.    .(JavaScript must be enabled to view this email address) ~ 09/30/2005

    First of all, there will always be 57 year old people and there is nothing wrong with that. The older you get the more you think about heaven. I believe SG grew very fast in the 90's and is now adjusting based upon economic conditions and entertainment options. There will always be SG music and those who panic thinking that it will die are wrong because the message in the songs is still there. Compare the message to contemporary music. I enjoy the 6 hours each eve at the NQC and am not bored. I appreciate the singers who are devoted to this lifestyle. All is not perfect and there will be some variations in music along the way.--and, this discussion will go on until the Lord comes.

  21.    .(JavaScript must be enabled to view this email address) ~ 10/03/2005

    I think you might have missed the point here. The message is that SG is not dying.....yet. But rather, how do you attract the next generation of people to carry the torch?

    If the answer is, "we're going to stay the course and not change anything", then that is very short sighted and certainly not conducive to carrying on....or evolving....what we have come to love so dearly. In fact, given enough years of staying the same and 6 hour performances won't be possible because there won't be enough groups to participate.



  22. Page 1 of 1 Comment Pages

Write your comment...

By posting you agree to our Comments Policy

You have not synced your Facebook account with your account on our site to use this feature.
You can still sync your accounts if you want to post this to your Facebook wall:







Remember my personal information


Please enter the word you see in the image below:

   Direct Out Audio




Visit Gospel Music Zone



Recent Features

  • A Blessed People
  • Shameless Self Promotion
  • Poet Voices To Be Heard Again! And online no less!
  • An Amazing Winter
  • Hard to Believe!
  • Fried Dill Pickles & Love Songs
  • Over 80,000 Views!
  • Lessons From Four Footed Creatures - Part 2
  • Russ Taff - Never Forget Where We Came From
  • Morgan Easter - Not Without Love
  • Southern Gospel Love Stories
  • And Now For Something Different: Never Stop Holding Hands
  • Expecting Great Things
  • Life In the Word: Life Essentials Study Bible
  • Blessed Are the Ready For They Shall Be Raptured
  • Christian Fiction Queen: Wonderland Creek
  • 2012 Absolutely Gospel Music Awards - VOTE NOW!
  • The Glorious Gift of Harmony
  • Thou Shalt Learn To Encourage Thyself
  • Connections: A Quiet Ministry
  • McCray Dove - In Conversation…
  • 10 Things to Know About Jim Sheldon
  • Susan Unthank Memorial - One Year Later

  • Recent Comments

  • spirit7productions on: Thou Shalt Learn To Encourage Thyself
  • Lena Aldridge on: Pathway Records/AbsolutelyGospel.com Talent Contest Begins May 15th
  • Greg Brewer on: 2nd Generation Announces Addition of Josh Adams to Group
  • .(JavaScript must be enabled to view this email address) on: SG History 101 - Blue Ridge Quartet
  • christopher reed on: Jaidyn's Call - Blessing In Disguise

  • » moreCommunity Talk

  • Dixie Melody Boys in Concert
  • Looking for Lead or Tenor
  • Southland Harmony Boys at Heavenly Ribs, Sumiton, al. Feb 14th
  • DIXIE ECHOES/BRIDGEMANS - CUMMING, GA - FEB. 19
  • Daybreak Quartet Feb.12 Mount Vernon Baptist Murrayville, GA/Gainesville/GA
  • NQC Talk 2012
  • The Jonathans and Soul'd Out - Ranburne, AL - March 25, 2012

  • Archives

  • Archives