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The State of Southern Gospel Radio

Welcome to the latest installment of SoGospelNews.com. Every month I will be coming at you with, hopefully, some topics and ideas that will make the industry think. It is our desire here at SoGospelNews.com to help further the industry in every aspect possible. So in addition to providing news, reviews and interviews, hopefully this view will be one taken seriously.

Radio. It is a staple in the music industry. It does not matter if you are singing blues, country, Christian pop, Southern Gospel or hip-hop, if you are an artist, you rely on radio play. And unfortunately, in this industry, it can make or break you. So this leads me to beg this question: Why is Southern Gospel radio, something the artists rely on to get their name and their songs out, so many years behind? Why is it that Southern Gospel radio can not be as innovative or cutting-edge as the other genre's currently eating up the airwaves? Why do people assume that Southern Gospel radio is for only the blue haired ladies in their church?

With all that said, I want to touch on four basic ways that radio can get back in they game.

1. Catch up with today's radio jargon.

This is one thing that the industry absolutely must do to be seen as a viable form of radio programming. It amazed me recently when one of the major Southern Gospel record labels adopted the "Going for Ads" slogan that has been used for years in other genres. As far as I know, they are the first to ever use this slogan. This is a phrase that helps radio stations know when record labels are interested in a certain song hitting the airwaves. In other words, it keeps radio stations all on the same page. However, this is a totally new concept to Southern Gospel. Not only will this help radio stations, but charting will begin to be more accurate as a result. When talking with various radio stations recently, I was continually shocked at how many were not familiar with common radio slogans. To the average fans, these terms mean nothing. However in radio, these phrases should be used constantly within the field. If SG radio expects to compete against other genres for air space, it must get all the stations in agreement. If every station is on the same page, it can only get better.

2. Listen before you play.

This is probably going to be more controversial than intended for the first time out, but listen up. Don't play a song by an artist just because they are a staple artist. If the song stinks, don't play it. I can think of countless radio singles of late which were immediately sent to the top of the charts simply on name recognition alone. Now, repeat after me: "I will not play just anything by an artist, because I have played them in the past. I will listen before I play." Half of the reason Southern Gospel radio is in the state it is in is because of program director's failure to weed out the bad songs.

3. Notice the up and coming artists who are on the cutting edge.

Does Southern Gospel want to reach a younger audience? Well then, play what they are interested in. Now, I'm not saying go and turn yourself into a pop station. Find out what it is that connects with the young people. Which artists are making an impact with the youth today? Which artists' songs have a more progressive sound that young people won't immediately dismiss? Why are young people coming to hear groups like The Martins, LordSong, 3 for 1, Chosen Few and The Crabb Family? Trust me on this one. They have the sound that is going to dominate Southern Gospel in the next few years. Jump the gun on this one and start adding them to your play lists now.

4. Get better DJs.

I know this is going to hurt some feelings here, but it must be said. Southern Gospel radio can not and will not become a viable form of radio programming if Uncle Billy and the Altar Boys are doing your weekly radio shows. Hire some DJs who are talented and who can really connect with your audience. Get some younger on-air talent who has a desire to see the industry grow, not just get a paycheck. This is something Southern Gospel absolutely must do to stake their claim in radio. If we don't, it will only get worse.

Radio is the most important thing going for Southern Gospel right now in terms of getting the name out there. However, if the casual listener is just passing through the channels, he's not going to stay somewhere that's embarrassing or that he doesn't connect with. These four things aren't going to answer every problem in Southern Gospel radio, but it is a start.

Tune in next month as I tackle the issue of Southern Gospel and the Great Commission.

Chris Unthank
Southern Spin, Inc

About This Article - The State of Southern Gospel Radio

Author: AGM | Author's Website: http://absolutelygospel.com/
Written: 04/01/2003 | Category: Feature Articles Comments: 33
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Reader Comments

  1.    Pamela Furr ~ 04/01/2003

    Chris,
    I love ya, man...but unless you've walked in the shoes of a Southern Gospel programmer, you can't possibly know what it takes to keep a Southern Gospel Radio station on the air. Some of your complaints are legitimate, and some are not. In my years of experience, I have found that Southern Gospel Radio is sounding better today than it ever has. Yes, there's still some "old school" programming out there, but you will find in market after market Southern Gospel radio bringing in impressive ratings and impressive revenue. As far as "listening before you play" -- that's only an assumption on your part. Sure, if you're Gold City you're likely to get airplay before ummm (I'm only using it as an example) the Unthanks, but Gold City has a track record...and a programmer or music director plays what the audience wants to hear. Maybe Gold City (again, just using it as an example) isn't releasing their best stuff -- but the fans love them, so you gotta play 'em. After all, it's the fans that are visiting your advertisers (if you're a radio station) and sending in montly pledges (if you're a non-com). So in closing -- nice thoughts, Chris, but some of them aren't reality.

    Pamela

  2.    Charles ~ 04/01/2003

    I have to agree with Pamela, I know that in our area SG goes head to head with other stations & it seems to be getting better. We are beginning to see stations that really are serving up what the listeners are asking for. I guess my biggest question is just how long radio in general will be able to survive. I know of one station in our area that has changed formats 5 different times. They still don't know if their Christian, pop, rock, country or pop again. I have been doing some personal surveys and observations among teens & twenties. Most of them listen less to radio than any other group I have ever known. If they are in the car they listen to their cd players. The biggest complaint I hear: "They play the same artist over and over and over." With advances in technology & the way we get our entertainment I really wonder just how long radio will last?

  3.    .(JavaScript must be enabled to view this email address) ~ 04/01/2003

    Hey man, great article. I think you have already done what you said you would do and that is ruffle a few feathers.

    I don't believe Chris said anything about what it takes to keep a station on the air but instead was talking about competing with other stations and I must admit that a lot of the SG radio that I hear doesn't come close to the professionalism found on other stations. Does that mean that radio hasn't come a long way? No, it just means it still has a long way to go.

    Thanks for giving us another side of the coin to look at.

  4.    .(JavaScript must be enabled to view this email address) ~ 04/01/2003

    Just curious, Brian, where do you live? And for the record, these feathers are far from ruffled.

  5.    Chris Unthank ~ 04/01/2003

    I think you guys are missing the point. How exactly is adopting radio jargon, getting more appropriate djs, noticing what is the next big thing is, and listening before you play not reality?

    I've seen radio programming, from all different genres, which is why I felt compelled to write my article on it this month. You look at something like Salem Broadcasting, who noticed that SG is a viable art form, and they jumped on the gun and took a stake in the industry (Solid Gospel). Solid Gospel, while it has it's problems like any station, is one that can be seen as doing the things that I've mentioned. They are noticing the up and coming artists, and listener feedback has been out the roof. Their djs, for the most part, are excellent, and ratings are great. Now, I'm not sure if they've adopted radio jargon, but I would imagine that more than likely, if they are working under Salem, they have.

    I don't think it is as far from reality as you guys think. I believe that radio programmers and industry professionals SHOULD be using radio jargon just for the main reason of looking respectable and up-to-date. I knew when I had to explain to radio programmers what "Going for Adds" meant was, something was severly wrong.

    So yes, I agree that there are some markets and stations that are kicking tail in terms of competition, but they, for the most part, are the exception to the rule. SG has to learn modern ways of marketing itself in order to stay up to date, and radio is where it needs to start.

    I do have to agree that radio is a dying form of media, as are newspapers, but its still here and still a giant in the industry. We have to utilize it while it's still here.

  6.    Hurley Spinks ~ 04/01/2003

    All I have to say is, if anyone from Salem Broadcasting is reading these, please check in on your Atlanta station and see if we can't make some major changes here. I personally cannot get the local station unless I am within a few miles of the tower, and on top of that the song selection tends to leave more than a bit to be desired when I do get to listen. "Which Came First, The Chicken Or The Egg" is not my idea of a song that should be getting played 2 or 3 times within a 4 hour period as I have heard done. It's a great novelty song for the toddlers, but I prefer something a BIT different.

    As far as Chris' article, it hits pretty close to home here in Atlanta. I don't think he was talking about all stations, just a majority. And from what I have heard in my travels, I would have to agree with him in most cases.

  7.    .(JavaScript must be enabled to view this email address) ~ 04/01/2003

    While I am not the radio person that Pam is, I did learn a good deal about how the smaller SGM stations are run when I spent four years working part time at a small station, and face it the majority of SGM station are small. Chris has pretty well hit the nail on the head. Had I written the artilce I could have found a whole lot more changes that are needed, not to operate, but to compete with other genres. I know for a fact that some of the DJs are sent to work not ever hearing what they are about to play, and that is why a lot of junk that people turn off is being played. I have had station managers tell me that if they let younger people DJ then they want to play the more contemporary stuff. I know that the most contemporary stuff that these stations have is the GVB. In other words they don't want to play anything that isn't traditional quartet. That is where we are falling way behind the other genres. There is so much good music out there to be played, that I am disappointed when even the big satellite stations play some of the poor quality that they do. This article said a lot of things that needed to be said, but I would have said a lot more.

  8.    Charles ~ 04/01/2003

    lol.... Come on now Hurley! Are you saying that Little Roy didn't bring you to a soul searching mountaintop experience with that tune? lol..... What is it with these "major market areas?" We started watching some of the Charlotte, NC (major market for our area) TV stuff and man, I thought I stepped back in time to the fifties again. I'm talking stuff that looks like it was put together as a class project by a bunch of fifth graders. I guess major market doesn't always mean "smartest market" lol Media, radio & tv really need some help. I mean, Atlanta?

  9.    .(JavaScript must be enabled to view this email address) ~ 04/02/2003

    I have been saying these same things for years. I do not know if we are supposed to know Pamela Furr, but I do not think that one has to walk in someone's shoes to voice an opinion on improving something. Every one of these points were well spoken and things I have heard first hand on many radio stations across the country. I agree that radio is better today, but....you can figure out the rest.

  10.    Daniel Britt, WGKA ATLANTA ~ 04/02/2003

    Here ye, Here ye. Atlanta Radio Has Been Awakened! grin

    We have opened a listener feedback phone, and the Chicken Song, I'll admit, probably has run its course. I think the song was being played more so as a lighhearted attempt to loosen up the audience from all the stress of today and to loosen up some industry groups who take things too seriously.

    It's a fun song.

    We did chart the Chicken Song by the Lewis Family - I think as high as even #2 on the Singing News Chart.

    As far as the article goes, in a nutshell, I agree with it. The only part I would question is the "big name recognition" factor. I might not put GOLD CITY (example) in the highest rotation if the song is not good--but I will at least put them into, if nothing else, light rotation-just because of who we are. We aren't talent scouts. We are here to provide quality entertainment and ministry to a hungry audience.

    Our sister station is THE FISH - winning the Dove Award last year - they've done a great job with keeping up with the mainstream competitors - and therefore attracting new listeners. While, I may personally not agree with everything a station does, you have to give credit where it's due. The Fish's philosophy is to attract AS MANY PEOPLE AS POSSIBLE. Period. Then, once they're attracted, you lay some Gospel on 'em and really begin your ministry. Touchy areas I realize, but what a great place to discuss them. Thanks Chris for the article and the forum.

  11.    .(JavaScript must be enabled to view this email address) ~ 04/02/2003

    This is so interesting. Daniel you said that you aren't talent scouts, but shouldn't the radio stations at least recognize talent? I mean if the song isn't any good, doesn't matter who recorded it, it probably shouldn't be played.

  12.    .(JavaScript must be enabled to view this email address) ~ 04/02/2003

    I agree with most of the article. Why is SGM so hard to sell to businesses? In our market most don't want to advertise on gospel rad because they say no one listens to AM radio. This includes the Christian business owners. I have had this told to me many times as I was an independent programer for sixteen years. I had to go off the air because of lack of support. My biggest complaint with radio in our area is the use of the computer to replace the DJ. The stations using the computer for their music is just repeating the same songs at least every 6 to 12 hours. No one knows who is singing what, who a new group is, where they are from, or even where a song is on the chart. Yes it is cheaper to run a station without DJs but who wants to listen.

  13.    Charles ~ 04/02/2003

    Good points Mike! If you take it one step further, what about the whole station consolidation that is airing the exact same thing in dozens of markets. To a large extent "local radio" is history. Just like local stores & local groups & ................ As my 20 something son says: "A good MP3 player can replace most radio stations today". This is some great discussion about some important issues. Thanks Chris for pulling the chain!

  14.    Chris Chubb ~ 04/03/2003


    We are all under the same umbrella of Southern Gospel, but each station should have it's own identity that is unique to their listeners and area.

    When any DJ talks to a listener on the radio, it should be in the listener's language instead of radio-ese. Anyone seen the new auto commercial with sportscaster Dick Vitale? He speaks his sports jargan throughout the commercial while the subtitles at the bottom of the screen relay the simplified and more understandable message to the viewers.

    I believe there is a fine line between a good and a great RADIO song. There are many good Southern Gospel songs these days, but there are few GREAT ones.

    Most groups and promoters make too big of a deal about a song being great because of the lyrics touching so many people or because a certain premiere songwriter has written their song.

    Unfortunately, in my opinion, lyrics are worthless unless the song's recording quality and instrumentation are superior AND if the right artist or group doesn't bring those lyrics to life with how they sing them.

    I also believe that every radio station should have "superstars" of their format. However, an artist/group name should NEVER be the basis for an automatic add of a new song. Artists and groups must earn the privilege of getting their song on the radio.

    Ready for a shock? A radio station's job is not about what any chart says or what the industry wants, or what the artists/groups want them to play, or even about generating product sales at concerts or in bookstores. It's not even about what the majority of fans think across the country or in the world.

    A radio station's job is about generating more listeners and reaching more people for Christ in THEIR listening area. It's about doing GREAT radio...for their listeners. That means choosing only the BEST music and programs, DJ's, etc.

    Eventhough radio, record companies, promoters, writers, artists/groups and fans are all working together for the cause of Christ and Southern Gospel, all of us are on seperate roads working towards the same goal.

    God has called all of us individually to be at our best at all times and to be expanding and growing our territories. The same can be said about the Southern Gospel industry and radio stations. Many people fear change and are content to stay in a 1970's mode of music.

    See my next post for more...

  15.    Chris Chubb ~ 04/03/2003

    Ready for another shock? Competition and change are not of the devil! Personally, I want to compete for souls that listen to those secular country stations in our area. Radio needs to sound, on the dial, just as professional and up-with-the-times as the other big dogs in the market. We don't need to compromise our message or mission statement to be successful with that.

    I am very stern with music selection for our radio station. I play only 300 songs so I have got to be. I play only the best of the best for my listeners. If a song is released that doesn't impress me, then my listeners won't hear it. People in the industry can accuse me all they want, but God has given me a huge responsibility to give my listeners the best. Eventhough I value all relationships in our industry, my radio station is the emphasis. It's not my job to do what everyone else is doing.

    Finally, eventhough the overall music in Southern Gospel has improved drastically in the past three years, I believe it still lags behind CCM and other Christian music formats when it comes to vocal quality and recording/instrumentation.

    "Cutting edge" is good but doing great radio is more important.

  16.    Daniel Britt, WGKA ATLANTA ~ 04/03/2003

    In response to Wanda's question: "Daniel, you said that you aren't talent scouts, but shouldn't the radio stations at least recognize talent? I mean if the song isn't any good, doesn't matter who recorded it, it probably shouldn't be played. " --
    My response is: If a song is NO GOOD, it is just that-and it shouldn't get airplay. But will the Gaither Vocal Band or Gold City record a song that is really all that bad? Not usually. They've "EARNED" their position as the top names in Gospel Music because of a longstanding QUALITY career--dedicated and faithful to the integrity of the Word and the music form alike.

    To answer the talent scout part...what I meant was that radio stations shouldn't be the ones who make or break artists. I suppose radio certainly has the ability to do that, but isn't that USING our audience for the advancement of an artist?

    Mainstream radio would not play artists who are not signed with a major recording label...why should we? But boy, there's a can of worms right there--be in the world but not of it...where do we really draw the line? That's my question - it's been my question for a while.

    Tough answers...I'm still searching.

  17.    Chris Unthank ~ 04/03/2003

    Thanks for the positive feedback guys! It really is gonna take everyone getting on the same page before the face of SG radio actually starts to see a change.

    I think everyone has made some great comments, and I look forward to reading more comments as the month progresses.

    I'm sure my articles are gonna step on some toes, but I just want people to think about the state of the industry and where it's going.

  18.    Pamela Furr ~ 04/03/2003

    <<A radio station's job is about generating more listeners and reaching more people for Christ in THEIR listening area. It's about doing GREAT radio...for their listeners. That means choosing only the BEST music and programs, DJ's, etc. >>

    Chris Chubb couldn't have said it any better. And I believe that's what I stated in my paragraph above. Each radio station is responsible for HIS AUDIENCE ONLY. And if the ratings are doing well, and the revenue is coming in, then your opinion in another city DOESN'T MATTER at all.

    As to the person who asked if they are supposed to know who I am -- no, you're not. No one said you should. (why do people get so petty when I post?) I'm just someone who loves Gospel Music and like Chris Unthank and others who post, want to see it grow and want to see it compete with the big dogs. And there are ways to do it. And Southern Gospel is getting there. No it's not there yet, but it's closer than it's ever been.

    And there are companies out there that are bringing tools to the table to make it better (hint hint -- see my website).

    But a station's got to want to improve...and a station's got to want more listeners...and a station's got to have the money to do it. Lot of factors play into it.

    And one more thing -- Solid Gospel in Nashville only pulls a .8 share. It's last in the market. (and there are factors as to why) WDJC in Birmingham pulls a 6 share. They're number 4 in their market. (they're not southern gospel at all anymore) WJBZ in Knoxville pulls a 3 share. They're number 7 in their market. Some stations are getting right. But it's easier said here than done.

  19.    .(JavaScript must be enabled to view this email address) ~ 04/04/2003

    Pamela,

    If it's any consolation, I know who you are. LOL!

  20.    Charles ~ 04/04/2003

    And there are companies out there that are bringing tools to the table to make it better (hint hint -- see my website).

    Shameless plug Pamela! It would be like me trying to direct folks to http://www.carawaymusicgroup.com

    lol..... Great site by the way Pam!

  21.    .(JavaScript must be enabled to view this email address) ~ 04/04/2003

    Pam,

    Just so you know, I know you too, but that might not be to your benefit.... LOL

  22.    .(JavaScript must be enabled to view this email address) ~ 04/08/2003

    I SURE WISH ATLANTA HAD A STRONG RADIO STATION. YOU CAN'T HEAR THE SOLID GOSPEL STATION UNLESS YOU ARE CLOSE TO THE STATION. BUT, UNTIL WE DO HAVE A STRONG STATION, I WILL CONTINUE TO ENJOY SOLID GOSPEL RADIO THRU MY SKYANGEL SATELITE DISH.

  23.    .(JavaScript must be enabled to view this email address) ~ 04/08/2003

    wgka in atlanta is 25,000 watts--which is pretty big for an AM radio station...where 'bouts do you live, JL?

  24.    .(JavaScript must be enabled to view this email address) ~ 04/08/2003

    You, sir have hit the proverbial nail on the proverbial head! I spent over 25 years in Top 40 radio, and have been appalled at how many good air people, as well as sales and management people have moved into Chritian broadcasting, and seeming forgotten all professionialism they ever had! It should be the other way around..."Give of your best to the Master". I don't hear Solid Gospel anymore, but when they first came on, they sounded like a bunch of young kids who knew nothing about the business and were having fun with a new toy. Good radio is good radio, no matter the format, and since other formats are now sounding "worser & worser", it's time for Southern Gospel to show 'em what it's all about!

    Jack Parnell The Information Radio Network.

  25.    .(JavaScript must be enabled to view this email address) ~ 04/08/2003

    I LIVE ABOUT 20 MILES FROM THEIR STATION. BUT I CAN ONLY HEAR IT WHEN I AM CLOSE TO THAT AREA. I WISH THERE WAS A GOOD F.M. STATION.

  26.    Hurley Spinks ~ 04/08/2003

    My question for the DJ's is this, why should an artist have to be on a major label to get recognition? I know of MANY groups who are not on major labels, not because they can't be, but because they don't want to be. They prefer dealing with someone that they know personally and that takes them personally. Someone that will do the best they can just because that is what they are supposed to do.


    Daniel, get me an email address for you so I can tell you what I really think. I know you guys are supposed to have a website sometime in the future, but it has been "in process" for months now, and I don't want anyone , including you, to think I am berating you...especially here. Some things need to be done behind closed doors (so to speak).

  27.    .(JavaScript must be enabled to view this email address) ~ 04/09/2003

    One of the major problems with stations is they are getting away from true southern gospel and going to country gospel. I am told by fans that spend a lot of money on gospel music they are tired of the country and solo gospel sound and playing CD's of the groups they like. Pay attention solid gospel stations.

  28.    Chris Unthank ~ 04/10/2003

    Dwight,

    I understand that radio stations are getting away from true southern gospel, but that is really what needs to happen to draw in more listeners. The market for that traditional, 4 men and a piano sound just isn't near as big as the market for the SG that incorporates all kinds of niches within the SG industry, which includes country, traditional, bluegrass, progressive/middle of the road, etc. SG radio needs to embrace these sounds to gain a larger audience. It will not survive otherwise.

  29.    Rick Cody ~ 04/10/2003

    Rick Cody here of "THE GOSPEL STATION"... As a 25 year vet of this business, 4 in sg radio, I agree totally with your thoughts regarding sg radio... We have 2 stations in our area that we've had to overcome their "image" that they've set for sg radio...Number 1.... Playing anything and everything they get...Trying to make everyone happy....It can't be done....Number 2...Begging for money all the time...Number 3...Volunteer d-j's....Well meaning folks who want to help.... but.....Our station is voice tracked for one reason...We at this stage can't afford to pay for a whole staff of talented jocks.... I promise you this..With the computer technology today you can make it sound so "live" most folks don't know.... It takes lots of effort..Which sad to say most folks don't want to do...... I also wish more stations would get out of the trying to sound like the secular station down the street and focus on "Christ".... I love the artists that we play but they will NEVER be the focus of what we do.... It's the message of the songs that drive our ministries...Whether it's a slow song or fast, known group or unknown, the message has to be what it's all about..You can still sound professional without taking the focus off of HIM!!....Again here in Oklahoma that's what we're trying to do....

  30.    Daniel Britt, WGKA ATLANTA ~ 04/17/2003

    Mark this down:

    The Chicken Song has been removed from rotation today.

    It doesn't mean that it will never be heard again on 1190 in Atlanta -- but if it is heard, it was an "intentional" play by the dj...either requested or specifically chosen.

    It has been a source of controversy - farily evenly divided controversy actually.

    But then again, they say that people "Love to Hate".... go figure.

    -db

  31.    Dan Keil ~ 04/21/2003

    I live in central Il. We have no
    Southern Gospel station around us. This includes Peoria,Bloomington,Springfield,
    Decatur, And Champaign,Urbana. Thats almost a million people. Someone please help us and start a station so all of us can hear it. Thank You
    Dan Keil Decatur, Il.

  32.    sglive365.com RADIO ~ 03/07/2004

    THE ANSWER: dump your "on air SG station".. Listen to internet radio http://www.sglive365.com

  33.    .(JavaScript must be enabled to view this email address) ~ 03/07/2004

    Could your post have been any later, Chuck? This dialog was almost a year ago.



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